Tamatoa's Lair. Great Escape. If I Were the Ocean. Te Ka Attacks. Maui Leaves. Tala Returns. Sails to Te Fiti. Shiny Heart. Te Fiti Restored. Hand of a God. Voyager Tagaloa. Toe Feiloa'i. Navigating Home. The Return to Voyaging. Seb'rapa Jauh Ku Melangkah. Bawaku Berkelana. Hai Yang Zhi Xin. Chang Duong Bao Xa. Warrior Face. It's Called Wayfinding. Maui Battles. Sea Monsters. Moana Music Videos. All Right Reserved. Not Now Yes.
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A verification link has been sent on your Email ID. Please verify. Didn't receive verification mail? You can now login with your mobile number too. Register Mobile Number. The record also produced two singles. The album debuted on the Billboard chart at number 16 and peaked at number 2, kept off the top spot by The Weeknd's Starboy. For the soundtrack, Disney wanted to combine traditional South Pacific culture with pop and Broadway sensibilities, which led to the hiring of Broadway playwright, songwriter and composer Lin-Manuel Miranda, composer Mark Mancina and Tokelauan singer-songwriter Opetaia Foa'i.
The first song they completed was 'We Know the Way', which Foa'i began after his first meeting with Disney in December The trio worked together in New Zealand and in Los Angeles. In addition to guitars and strings, the score features Polynesian vocals and percussion, woodwinds made from bamboo from the South Pacific, and traditional hide-covered Tyka drums.
The countless times he exploits themes and song melodies throughout the score is truly impressive. The score feels very cohesive matching textures, orchestration, and instrumental pallet. From the film's dramatic action sequences, to the intimate dialogue driven or comic relief scenes such as 'Battle of Wills,' 'Climbing,' or 'Village Crazy Lady,' Mancina captures the essence of every musical moment splendidly.
The score is structured around beautifully transparent motifs, two of which are presented in the 'Prologue. The second theme presented in the 'Prologue' is Te Ka's Theme. This enticing, maleficent theme is accepted with open ears. In soundtracks today, so few soundtracks use an evil theme.
It is very refreshing to have an actual melody applied to the villain. This theme also creates great 'call and answer' between battle scenes toward the end of the film. By incorporating these various elements, the music adds thematic drama which is more than just background noise, rather it is another character of its own. Another large motif used through the score is only based on two notes.
It is a downward leap by minor third D — B. This simple 'Call' can be described as Moana's relationship to the ocean. The beauty and power of this motif is in its simplicity. Heard in 'The Hook,' 'Cavern,' and 'Tala Returns,' this gesture calls the audience to the ocean along with Moana, establishing a memorable motif from an elementary musical interval.
As well constructed as this score may be, consideration must be made for what Mancina has previously composed. Unfortunately, in comparison to his other Disney animation films, Tarzan , Brother Bear , Planes , and Planes: Fire and Rescue , Moana does not stand apart from the crowd. Many of the melodic lines, string ostinatos, and rhythmic textures can be found in these other Disney scores.
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